Johann Victor KRÄMER ✿

Austrian painter Johann Victor Krämer (1861-1949), working generally within the Orientalist genre. He was a founding member of the Vienna Secession, and received many awards through his life

Krämer was the son of Alwin Krämer, a mechanical engineer from Dresden employed at a factory in Adamsthal belonging for Johann II, Prince of Liechtenstein. He received a scholarship from the Prince, who was to remain his patron until the 1920s, and studied at the Kunstgewerbeschule in Vienna from 1878 to 1881. Gustav Klimt and Franz Matsch were among his classmates.

He attended the General School of Painting of the Academy of Fine Arts, Vienna from 1881 to 1883, then from 1883 to 1888, he was a student of the Austrian historical and Oriental painter Leopold Carl Müller at the Special School for Historical Painting. Krämer received the Rome Prize in 1888 for his depiction of the judgment of Paris; with the accompanying travel scholarship, he visited Paris, London, Madrid, Tangiers and Italy from 1888 to 1890.

He moved to a Vienna studio in 1891, which he would keep until his death, and in 1892 joined the Old World, a club of visual artists. He worked for commissions in this period, and spent time as an art tutor to the family of the industrialist Karl Wittgenstein. He joined the Vienna Künstlerhaus in 1893, and was a founding member of the Vienna Secession in 1897 when he left it. His work was exhibited at the Second Exhibition of the Secession.

With patronage from Leopoldine Wittgenstein, he spent 1898–1900 travelling in Egypt and Palestine, reaching as far as Abu Simbel and Baalbek. With a Kodak camera, he took many photographs, which are now part of the Albertina museum's collections. In 1901, the 11th exhibition of the Secession was entirely made up of his work, including the start of a book recording s journey to Egypt and Palestine. Also in 1901, he had a number of his works featured in the Secession's magazine, Ver Sacrum. Krämer died in Vienna, leaving behind a large body of work, including paintings in oil, watercolour, gouache and pastel, as well as many drawings and photographs and much correspondence. He enjoyed a significant reputation in his early life, but gradually faded to obscurity. Since 1980, there has been an increased interest in 19th century Orientalist painting and in his life and work.